It was Mary who encouraged Russel to put his signature on his work – a wise decision considering that 250 million pieces of his American Modern dinnerware were sold between 1939 and 1959. But the pair was interested in more than just giving people the tools for easier living; they also wanted to teach people how to live in more efficient, less formal ways, and in 1950 they published their manifesto Guide to Easier Living.
Russel Wright sent the plans for his Hudson River valley home (above) and studio (below) to Frank Lloyd Wright for review. The two met when FLLW was in New York working on the Guggenheim, but there’s no evidence that Frank visited Russel’s property.
Russel Wright sent the plans for his Hudson River valley home (above) and studio (below) to Frank Lloyd Wright for review. The two met when FLLW was in New York working on the Guggenheim, but there’s no evidence that Frank visited Russel’s property.
Spun Aluminum designs by Russel Wright. In the 1930s, Wright discovered that this affordable metal was easy to work with and could be made to look like pewter.
The dining area in Russel Wright’s home is next to a wall of boulders and the trunk of a cedar tree, which serves as the building’s primary vertical support post.
Wright built his fireplace to accommodate logs stacked vertically because he believed they burned more efficiently this way.
The bathtub in Russel Wright’s studio overlooks the quarry and has a view of the pond.
Low-maintenance steps in Wright’s home.
Check out the Russel Wright exhibit if you’re traveling through SFO, and if you’re on the East Coast, be sure to visit the Russel Wright Design Center.
From DWR newsletter
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